状态 STATUS

建筑表现 Architectural Representation

指导老师 INSTRUCTOR

Perry Kulper, Associate Professor of Architecture

设计师 DESIGNER

夏炜 XIA Wei

混合平面（Promiscuous Plan）是一个关于建筑挪用的实验性尝试。这个建筑平面方案将彼得·卒姆托（Peter Zumthor）设计的瓦尔斯浴场，恩瑞克·米拉莱斯（Enric Miralles）和Carme Pinos设计的巴塞罗那奥林匹克射箭场，以及约翰·海杜克（John Hejduk）设计的菱形住宅平面融合成一个新的建筑空间，探索在不同建筑语言和形式主义的冲突下所重塑的空间机遇。

The Promiscuous Plan is an experimental attempt at architectural appropriation. This architectural plan combines the Baths of Vals by Peter Zumthor, the Olympic Archery Field of Barcelona by Enric Miralles and Carme Pinos and the Rhomboid house by John Hejduk, merging into a new architectural space that explores the spatial opportunities reshaped by the conflict of different architectural languages and formalism.

根据定义，挪用是一种借用或获得某物供自己使用的形式。在20世纪早期超现实主义的切割技术的文化框架下，挪用已经渗透到20 + 21世纪的许多文化语境中，通过从一个语境中获取现有的图像、材料或物体，并将其与其他语境中的其他图像(或图像、材料或物体的碎片)结合起来，促进新作品的产生。拼贴、蒙太奇、拼装等都属于作为制作手段的挪用的遗产。在这里，遥远的现实以不同形式的再现、材料和空间潜力汇聚在一起。在建筑上，挪用作为一种设计手段挑战了个人才能和个人情感的概念——重组方案的可能性和作者身份、参考角色和发现材料的重新语境化的前景问题。

By definition appropriation is a form of borrowing or acquiring something for one’s own use. Culturally framed by the early 20th C. cut-up techniques of the Surrealists, appropriation has permeated many 20th + 21st C. cultural contexts, facilitating the production of new work by taking an existing image, material, or object from one context and combining it with other images (or fragments of images, materials or objects) from other contexts. Collage, photomontage, assemblage, etc. belong to the legacy of appropriation as a means for making things. Here, distant realities come together in alternative forms of representational, material and spatial potential. Architecturally, appropriation as a means of designing challenges notions of individual talent and personal sensibility—restructuring program possibilities and foregrounding questions of authorship, roles of reference and of re-contextualization of found material.

PROMISCUOUS PLAN

2017, ANN ARBOR, USA